FROZEN SUN

Frozen Sun

It all started back in 1990, when guitar player Michael Kopietz got to know the singer Kenny Nielsen. They both lived in the countryside outside Aarhus, and Kenny introduced Michael to Bo Summer (Illdisposed), with whom they started a metal band in the local youth club. Bo and Michael had actually ridden BMX together in Skanderborg BMX club at the sweet age of eight years.

Back then, Bo played bass, Kenny sang and Michael played the guitar myself. After a while, that band stopped, and it all moved to Aarhus, where they met Nick Jensen who played in a band called Hosts Of Chaos, which Kenny and Michael joined. They rehearsed in a rented house in Brabrand with an old band called Motor Rahm. In this band, Frozen Sun

drummer Morten Rahm later played with Bo Summer and Lasse Bak (Illdisposed).

After some time and some replacements, Frozen Sun emerged from the band Hosts OfcChaos. Illdisposed was formed from Motor Rahm and Slasher, where Bo had started singingcand Illdisposed’s old drummer Michael Enevoldsen (also in Panzerchrist) thrashed barrels. The story is perhaps a bit confusing, but the result was that bands like Frozen Sun,

Illdisposed and Exmortem emerged.

In 1992 the group recorded their first demo called ‘Ancient Tombs’. However, it was never released. In 1993 they decided to record their then ‘cult demo’ “Defect Dimension Of Souls” at Borsing Recording. Bo Summer had just recorded Illdisposed’s first CD at Borsing Recording, and he thought Frozen Sun should definitely be on the second volume of “Fuck You We’re From Denmark” compilation He contacted Progress Records and Frozen Sun was shown the reason why that CD was released with a week’s time.

In 1995 Frozen Sun asked Tue Madsen if he would like to produce their “Promo’95”. Tue did not yet have his own studio, so the band rented a mixer and accessories and went up to their rehearsal room and started the drum recordings. Guitar and vocals were recorded in Michael’s old apartment by Viby J.

In 1996, the collective recorded their debut CD “Dimensions” at Borsing Recording, and got Tue to mix. It was a tough process, but the result was that Jacob Hansen and his start-up record company Serious Entertaintment released Frozen Sun’s record debut in August of the same year.

After replacing the bassist Henrik Kopietz, Frozen Sun got Tomas O’beast from Mnemic, and they recorded “Promo ’97” with Ziggy behind the buttons in Studio C. It was a really exciting time for Frozen Sun. The band remembers there was Testament at the House (Now Voxhall) and that they were actually drunk with Chuck Billy. In that process, they got him persuaded to go to the studio to record some vocals, but unfortunately Ziggy was too drunk.

After that, the remaining band members decided to stop. But the story will continue. Soon…


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Samhain

Samhain

Samhain was, in the early 80s, one of the first bands playing extreme metal in Denmark. Formed in 1984, the quartet started exploring music in their rehearsal room under the direct influence of their idols – Hellhammer/Celtic Frost, Kreator, Venom, Sodom and the likes – and started to forge the Danish extreme metal scene with their early contacts, struggle to get gigs and mouth-to-mouth promotion.

In 1985 the band released their only demo tape, “The Courier”, containing three tracks of the raw and unadulterated death/thrash metal that they played. The demo never really got them a record deal, but put Samhain’s name in the scene, where they gained praise from their peers and underground press and played shows with such fine acts as Kreator, Pestilence, Exumer, Imperator, Mezzrow, Invocator, and Illdisposed. Eventually, the group would change their name to Desexult in 1986 under which name they put out three demos. They disbanded in 1991, but “The Courier” remains one of the finest examples of how early Danish extreme metal sounded and gained cult status in the following decades.

In the Summer of 2023, fans of 80s original death/thrash metal could finally rejoice! The long-awaited album release of the demo tapes from the legendary band was finally released as a full-length album on vinyl format. 

“The Courier” features all songs from the band’s first two demo tapes, recorded in 1985 and 1986. Remastered for maximum audio quality by one of metal’s finest: none other than ex-Desexult drummer and metal producer par excellence Tue Madsen at Antfarm Studio (Rob Halford, Sick Of It All, The Haunted, Vio-Lence, etc.), this is as trve as it gets. 

The release also includes extensive liner notes from metal notables and rare photos from the band’s early days.


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Dawn Of Demise

DAWN OF DEMISE

Dawn of Demise came to be when members Bjørn Jensen and Martin Sørensen decided that they wanted to play simple and heavy death metal. “Let’s play something that we actually can pull off, something like the heavy, groovy parts from bands like Suffocation, Pyrexia, Internal Bleeding, Dying Fetus, earlier Cannibal Corpse, and so on”. “Hate Takes Its Form” is the result of those initial thoughts and ideas. The band worked hard for years on what later would become their debut album. 

The line-up that was responsible for the album was, besides Bjørn and Martin who are still in the band, Jakob Nyholm (later joined Koldborn and Hatesphere), Kim Jensen  (also played in Koldborn and Illdisposed) and last but far from least, Mr. Scott Jensen. Scott, who used to be in the Silkeborg-based death metal band Infernal Torment, stepped out of death metal retirement to join the band. He had earlier stated that he was done with playing in bands and couldn’t be bothered. Maybe some convincing from younger brother Bjørn did the trick. 

The album has through the years earned the title as a modern day, Danish death metal classic. The band is still going strong, but a lot of fans still swear by the debut calling it the band’s best effort. When asked about the success of the album the band said: …“We were a very new band, confused, not knowing exactly what we wanted to sound like. Maybe that “confusion” and “experimentation” was a good thing”. 

“Hate Takes Its Form” was remastered by Marco Angioni at Angioni Studios. 

“Hate Takes Its Form” was re-released in LP (black/gold vinyl, limited to 300 units) on June 2022.


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Corpse Vomit

Corpse Vomit

In 1999 the world was a whole different place from what it is today. Amidst kids robbing each others’ Pokemon cards and Harry Potter popularity explosion, there was a whole dark cloud gathering (just think George W. Bush announced his presidential run on that year), which made people have a total over the Y2K bug and the predictions of the world ending in 2000. The world was also changing, as we were shifting from VHS tapes to DVD format and downloading songs on Napster without understanding the ramifications. In a nutshell, it was the right timing for an album like Corpse Vomit’s “Drowning In Puke”.

In that same year, a group of Danish underground musicians got together to record one of the most outrageous and shocking death metal records ever produced. With song titles such as “Reeking Cunt” or “Rotten Fetus” and a cover artwork that simply wouldn’t survive today’s political correctness of social media, “Drowning In Puke” was a fat death metal album, with just the right balance of fast parts, morbid slow parts and growling vokills. In a time when everyone was amazed just how Cannibal Corpse was shocking the censors in Germany, Corpse Vomit did, in their only album, what is probably the most radical and extreme musical/artwork/lyrics package in death metal history.

In 2021, Molesting Mike got released from jail and immediately plotted a deluxe reissue of “Drowning In Puke”, which is out now in LP for the first time – in piss, shit and blood/sperm coloured vinyls, each limited to 100 units – as well as digipack CD. Remastered at Angioni Studios.

Rumours have it that Molesting Mike is working on new music…

Line-up:
Cape Cum – bass
Murder – drums
Caco Cezo – guitars

Anal Al – guitars
Molesting Mike – vocals


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BLOODPHEMY

BLOODPHEMY

Bloodphemy was created in 2000 and is based in Amersfoort, Netherlands. In 2002 they released the album “Section 8”. Shortly after they disbanded, only to be revived in 2015. Since then they released the EP “Blood Will Tell” (2016) and the albums “Bloodline” (2017) and “In Cold Blood” (2019).

The band is also known for being an unrelenting live force, with appearances registered in stages across Germany, Luxemburg, Czech Republic, Austria, Croatia, Poland, Slovakia, and The Netherlands and festivals such as Czech Death Fest, Fuck The Commerce, Headbangers Bash, Kaltenbach Open Air, etc.

In 2021 Bloodphemy announced a new record label partnership with Emanzipation and their new album, “Blood Sacrifice”, was released on September 3rd. 


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SON OF A SHOTGUN

SON OF A SHOTGUN

Son Of A Shotgun started in 2015 in Norway, Kristiansand, by the mind & hand of the guitar player Ivan Meathook Gujic of Norway’s meanest death metal band Blood Red Throne. SOAS started as a one-man band, with Meathook serving as the songwriter and multi-instrumentalist. The debut album “Mexican Standoff”, released in 2017, featured Jan Axel Blomberg “Hellhammer” (Mayhem, Acturus), Damege Karlsen (Breed, Chrome Division), and Maurice Adams (Breed, Motorfinger).

After the release of “The Mexican Standoff” Meathook kicked off a Norwegian tour, covering all the biggest cities and headlining the Southern Discomfort festival. In their touring, SOAS even played with Cannibal Corpse and made a documentary of it. 2018 was the year of the SOAS zombie squad. The project turned to a full line-up, with some of the best extreme musicians in Norway. The mind-blowing debut of the band happened in Oslo in 2019. Fully uniformed, war-painted. A military precision gig.

In 2021 the band signed to Emanzipation Productions and released a new album, “Be For Oss Alle”, on September 11th.

Line-up:
Kriss “The Fuze”: drums
Stian “Gundownyourson”: bass
Henrik “Nomansland”: vocal cords
Lennart von Essen: guitar
Ivan Meathook Gujic: guitars, vocals

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Exmortem

EXMORTEM

Exmortem started back in 1992 and was at that time called Mordor. The first demo “Souls Of Purity” was released in 1993 and, not wasting any time, the debut album “Labyrinths of Horror” was recorded the following year and released in June 1995, by Euphonious Records. In 1997 Exmortem was ready with a new recording, this time it was the promo tape called “Dejected“. This lead to a new signing with Euphonious Records, who in 1998 released the second album “Dejected in Obscurity“. Later in 1998 Exmortem released a new promo tape and two of the tracks from that tape was later released on a split 7″ vinyl in 1999.

After that Exmortem started to work more professionally and that led to a new line-up with two new members in Simon (vocals) and Reno (drums) and with them a new promo-CD was recorded in 2000. Finally in the end of 2000, the band entered the studio to record the “Berzerker Legions” album which was released in May 2001 by Hammerheart Records. After the release of “Berzerker Legions” The Aarhus band got more known in the international metal scene and after having played shows in lots of European countries the band started to work on the next album. This let to the signing with Osmose production who released the fourth album “Pestilence Empire” in December 2002. Quickly, the combo was on European tours and several other shows, plus released two exclusive vinyl releases. With the re-release of Berzerker Legions in the US the band for the first time made a widely distributed release from Exmortem available in the United States.

In 2005 Earache/Wicked World released “Nihilistic Contentment” in Europe and the US. Exmortem followed the release touring England with Behemoth, cementing the presence in the live international scene. Sadly, “Funeral Phantoms”, released in 2008, by Mighty Music, was to be the swansong of the band, who disbanded a couple of years after, with its members spreading all around the Danish scene, to bands such as Illdisposed, Koldborn or Horned Almighty.

Last line-up:
Martin “Sigtyr” Thim: guitars
Simon: vocals
Andreas “Mephistopheles” Schubert: bass, guitars
Morten Siersbæk: drums
Kim Nielsen: bass


ENSANGUINATE

ENSANGUINATE

Ensaguinate is Slovenia’s putrid entry into the death metal grimoire of old, performing sinister sounds inspired by Possessed, Morbid Angel, Grotesque and Nihilist, along with a somber tinge of black metal. The mission statement behind Ensanguinate is to play death metal with an occult 80’s atmosphere that adheres to the original morbid vision of the genre before it experienced mainstream appeal. All of these traits are encapsulated within the group’s catchy and pummeling debut EP, “Entranced by Decay”, featuring four songs of fast, abrasive death, that will be released by Emanzipation in May.

Formed in 2020, Ensanguinate originally released “Entranced By Decay” as a demo to positive reviews in August 2020. Four tracks of blistering death metal described by US heavily trafficked website No Clean Singing as “An electrifying, neck-cracking romp packed with jittery and jolting fretwork as well as monstrous echoing growls and livid howls”.

In addition to garnering online praise, Ensanguinate has also managed to navigate the global plague and perform live; the band is looking to hit the road as soon as the pandemic lets up and is already hard at work on their debut LP to be released by Emanzipation Productions.

“Eldritch Anatomy” was announced in June for a release on September 2nd, 2022. The debut album of the Slovenian death metal upstarts delivered a furious maelstrom of classic 80s extreme metal. Consisting of nine tracks that run the gamut from slow and brooding to fast-paced blasts of energy, “Eldritch Anatomy” had enough extreme underground metal pedigree to satisfy fans of Possessed, Morbid Angel and Death as well as those who are accustomed to the sinister melodic edge of Watain and Dissection. 

Line-up:
Andrej Čuk – guitars, vocals
Jaka Črešnar – guitars
Miha Šinigoj – bass
Matjaž Winkler – drums

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Tardus Mortem

TARDUS MORTEM

Tardus Mortem is a Blackened-Death metal band from funen Denmark, which sole purpose is to suffocate the listener in ominous tales of Christ and providence by using their instruments to create morbid melodies enchanting the impending Armageddon. The band consists of Dennis Strømberg, age 20 (ex-Black Tritonus ex-Human Mutilation, Apocalyptic Frost, Rancid Pus) on drums and vocals, Lasse Usbeck Andresen, age 22 (ex-Ilumize, ex- Human Mutilation) on guitar and vocals and Christian Baier Rasmussen, age 22 (ex-Error 404 ex-Dark Marshall) on bass and vocals.

Forming back in 2015 with Strømberg, Jonas Jørgensen on bass and Christian Stahl on drums, this lineup only produced one demo the “Reincarnated Through Bloodshed” demo, before the lineup fell apart. Through the years 2016 and 2017 Dennis created and recorded the “As Life Ends” demo, with the goal of continuing the band in a darker and more desolate style of death metal.

The “reformation” came in 2017, where Dennis switched to drums and Lasse and Christian joined the band on guitar and bass. The intention was to create music that echoes the bowels of hell. By using lower tuned guitars, guttural hymns, and intense drums. That vision has remained since then in the band. Though the “Engulfed in Pestilent Darkness” album, the hymns have only gotten more desolate and Apocalyptic. Which has come across the few concerts the band has played from 2017 to now. And that comes across on the new album, “Armageddon”, released on Emanzipation on November 2021.

Line-up:
Dennis Kruse Strømberg: drums, vocals
Lasse Usbeck Andresen: guitars, vocals
Christian Baier Rasmussen: bass, vocals

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Wayward Dawn

WAYWARD DAWN

Hailing from the soil of Skanderborg, Denmark, Wayward Dawn play gritty, primal and utterly nasty death metal. The band drags you into a world of vicious nihilism and assaults you with grimy bass, cavernous drums and downtuned guitars played through classic Marshall amps. Venomous words of human and societal decay complete the picture with savage roars, abysmal growls and rotten shrieks.

Since their formation in October 2015, Wayward Dawn have, among other things, played at Aalborg Metal Festival, UHØRT Festival and SPOT Festival, and supported bands like Nailed to Obscurity (DE), Blood Red Throne (NO) and BAEST (DK). With mentions in prominent magazines such as Metal Hammer and GAFFA, the band is known for its hyper-energetic live shows with constant use of the windmill headbanging technique and manic interaction with the audience.

With the release of their critically acclaimed debut album “Soil Organic Matter” in 2018 and more than 40 gigs in Denmark and Germany, Wayward Dawn have slowly but surely crawled their way up from the underground to spread the word of their filthy death metal.

After signing with Danish record label Mighty Music, Wayward Dawn released their sophomore album “Haven of Lies” on April 10th, 2020. The album was met with widespread acclaim and entered the official Danish vinyl chart as #25.

Already the same year as the latest release “Haven of Lies”, the band was back with the two-song release “House of Mirrors” released digitally via Emanzipation Productions in December and on cassette via Molten Face Records.

One and half years later, the band announced the release of a new album. “All-Consuming Void” was, like its predecessors, recorded and produced by Jacob Bredahl at Dead Rat Studio, mastered by Brad Boatright at Audiosiege (Obituary, Nails, Full of Hell), and consists of seven tracks of filthy, unrelenting death metal. With elements of punk, doom metal and grindcore, the band takes the soundscape to its extremes with the fast parts being faster and the slow parts sinking even further down the abyss of mankind. It was released on digital, CD, and LP (transparent orange vinyl, limited to 300 units) on September 9th, 2022.

Line-up:
Jakob Kristensen: Guitar
Rasmus Johansen: Guitar/Vocals
Kasper Szupienko Petersen: Bass/Vocals
Lukas Nysted: Drums

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